Sound.
- Absorption – which is a foam that flutters echoes.
- Diffusion – which keeps sound waves from grouping together.
Acoustic
treatment in the studio must be placed flat against the wall and spread out
evenly across the room for best results.
Microphones.
Dynamic.
This Microphone
is very strong and doesn’t break easily. They are commonly used at performances
and concerts for this reason. Inside the microphone, there is a tiny plastic
layer called the diaphragm. This is attached to a coil which is attached to a
magnet. When sound is inputted into the microphone, it hits the diaphragm and the
energy is passed through to the coil. The coil hen begins to move up and down
the magnet which creates the audio sound.
Condenser.
This
microphone also known as the capacitor, is expensive as it is very fragile and
breaks really easily. They are commonly used in the studio. They are very
sensitive to sound that loud or hard noise can destroy the mechanics inside. The
condenser doesn’t work the way the dynamic mic works. Instead of a diaphragm,
the condenser has two plates. The sound comes in to the front plate and send
the sound down round the mic. If there is a lot of sound inputted into the mic,
this could hit the back plate. If this happens the back plate would be destroyed
and the mic would stop working. The condenser needs power to work. It uses a
phantom which is a button on the mixer that inputs 48 volts into mic which
powers the battery producing the audio.
Characteristics.
Polar patterns are the
direction of where the mic is picking up sound from. There are three main different
types on the mic. The first type is called cardioid. This gives you the opportunity
to record directly in front of the mic whilst cutting out all the sounds in the
background. The focus of the microphone is at the front of the microphone. The Figure
8 option allows sound to be record from the back and the front although blocks
out sound coming in from the sides. The last one is the Omni all around. This allows
you to record from all around the microphone picking up all sound. This is also
when you speak. The boundary mic is usually used for big speeches as it can be
placed in the middle of a discussion and picks up sound from every direction. It
is flat and discrete.
This is the effect that leaves
your output sounding muddy and causes feedback. This is very common in rap when
the artist covers the top of the microphone and speaks closely into the mic. What
this does it that it adds a base sound and it gets muffled and the frequency goes
everywhere causing feedback. It is preferred to use a mount which you click the
microphone into and place onto a stand so you can have the mic steady whether
you are seated or standing.
Cables.
devices.
softwares that you can use to edit your raw audio are audacity or logic. they both work exactly the same.Logic allows you to edit your raw material and change the sound, make music, add effects, change the tone, pitch, speed etc to make your finished product add you can also add external sound to your work. you can use a Tascam recorder to record your sound and then connect it to the device using a cable. On the recorder there will be an arrow to help you control the sound. you should use this to do a sound check to make sure you aren't speaking too loudly. when doing this, you can adjust this and also make sure you aren't record with the proximity effect.
No comments:
Post a Comment